STACEY’s not like the other time travelers. A homebody, a yearner’s yearner at a windowpane with a Wurlitzer, a silk caftan, and a doomed dream, STACEY one-womans a retro-celestial holiday agency for lonesome escapists, crystallizing the nostalgic longing of golden age pop records into lyrical refractions for the twenty-first century.
Cruising from 60s psychedelic day-trips to glossy 70s daydreams, STACEY’s velvet textures have received glowing press from the likes of SPIN, LadyGunn, American Songwriter, Clash Magazine, WONDERLAND, Refinery29, and more, while her luxurious, lucid voice has found support from industry tastemakers including Matt Wilkinson (Apple Music), Chris Douridas (KCRW, School Night), Errol Nazareth (CBC), Lauren Laverne (BBC6 Music), and more.
Logging the aftermath of the great conjunction between Jupiter and Saturn, STACEY’s 2021 debut LP Saturn Return sits at the heart of a catalogue that has amassed over 8 million streams on Spotify, alongside singles “These Days” (2026) and “Christmas in California” (2023), and EPs First Move (2017), Reconstruction (STACEY Remixes), and STACEY (2013). From the baroque to the bohemian, STACEY’s compositions have soundtracked more than 15 television series and films, including Spinning Out (Netflix), Hollywood Stargirl (Disney+), Lucifer, Pretty Little Liars: Original Sin, Orphan Black, and Degrassi.
A devout world-builder, STACEY directed and produced the Barbarella-in-a-Futuro-spaceship fantasy of Strange But I Like It, which beamed its way to the #1 spot on Zelects — Mark Ronson’s Zelig Records’ weekly top-five music video list (2021). Elsewhere in the STACEY dimension: a six-hour, out-of-this-world 60s body-paint metamorphosis for Saturn Return, and a paper collage and animated colour explosion for D.M.T.
STACEY’s kaleidoscopic, empyreal live presence has led her to share stages with Charlotte Day Wilson, Tamino, Vinyl Williams, and Cameron Avery (Tame Impala), and seen her appear at high profile showcases on Canadian national television (CTV’s Your Morning and Global Morning) and for the Royal Ontario Museum’s 75th Anniversary of Christian Dior Exhibit.
Meanwhile, in her online bunker @STACEYMUSIC, devotees to 60s and 70s inspiration gather round to enshrine pop-culture ephemera — a labour of love, deifying McCartney and Pink Floyd, disco and drop-outs, The Love Witch and The Trip, Pamela Des Barres and Antonioni, Edie and Cher, Vernor Panton furniture and fashion designers à la Pierre Cardin, Pucci, Rudi Gernreich, Paco Rabanne, and Marimekko.
Drop in some time, traveller. Or, while you wait for STACEY’s sophomore record to materialize, you may find her vinyl DJing or performing here and there in the coming months.
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